From the perspective of contemporary folk woodcut

yxfbbiedtj · Wysłany: Nie 12:47, 27 Mar 2011

From the perspective of contemporary folk woodcut New Year pictures in color

Lack of color factors. With the colors of contemporary Chinese painting franchise, is no longer a wheelbarrow ink, color ink blending, the visible colored, Chinese painting, to compose a more appealing to the charming music. First, missing color contemporary Chinese painting is the folk a thousand years ago, lost color, lighting and heating instead of the Western reproduce colors. Explore the local cultural resources, integration of folk traditions, from the national culture with a national maternal genes in the breed, and to Chinese painting handed down to the diverse world of art to maintain a distinctive characteristic of Chinese painting one dollar. Traditional Chinese painting is only grafting of Contemporary Folk Art in color, is the blood line, blood shared, and also is full of vitality. Second, inheritance Folk Art ecological characteristics of the color of the original, traditional Chinese painting can be injected into the original vitality. The pursuit of traditional Chinese painting subtle, the United States, a single, elegant and harmonious ink become fixed pattern. Chinese painting has become sat, stern, not the past and woman, The original ecology of the unique folk color the true, fresh, passionate, and vigorous pursuit of modern Chinese painting colors hit it off, the traditional ancient Chinese paintings will be rejuvenated, reborn. Third, learn from people asking simple art color bright, saturated strong features, enhance the performance of Chinese painting color and appeal, since the development of painting as a visual communication, , and painting into the self, distinctive performance. Expressive play of color and appeal of the premise,[link widoczny dla zalogowanych], first applied color active rather than passive state, not to stereotype to portray the object as the goal, gut instincts, put straight to take in order to express emotion. Color, according to Le Branch (LeBrun1667) puts it, The folk art of color woodblock New Year pictures just fit this feeling, its focus on color contrast, harmony is the contrasting colors, vivid, full sense of the times. Using red, green, yellow, purple are complementary colors, the formation of the most striking contrast hue; with red, yellow, blue color difference between bright colors tend to relations; to Mexico have the most intense white contrast brightness contrast, hue and brightness through the strong more vivid contrast to the characteristics of contrasting color. As a result, the intensity of color is presented to maximize the screen color contrast in the conflict seemed simple strong and vigorous. the pursuit of color is the color of the character features of the times. Fourth, integration of folk art color system, analyze its programmable system features, as a reference, the establishment and improvement of contemporary Chinese painting your own color system, the subject is particularly important and urgent . theory of creation and innovation is all the innovative premise and key. contemporary Chinese art innovation, the first is the concept of innovation, and folk art of color systems and traditional Chinese painting color system homologous clan, the same strain, the reference and transplantation is a matter of course, the Chinese painting will not be so loss of self, reduced to a subspecies of Western art and mixed. folk art from the hands of workers, but also serve the workers themselves, has its own network and system, formed their own areas and cultural circles, but always to the professional Artists transport nutrients and provide forms. After the With increasingly powerful national strength, the world of traditional Chinese culture has drawn increasing attention, the contemporary Chinese painting is also actively involved in self-confidence to the world trend of art, showing their own unique charm. in a wide range of contemporary artistic pattern, the new generation of Chinese painter of emancipating the mind, and began to explore all possible creative and try. But the history of a nation can not be cut off, forget tradition, loss of memory of the national cultural heritage is not at all, in terms of genetic and biological variation, and Chinese painting inheritance and innovation of truth connected. contemporary Chinese painting is rooted in the nation only to ask the people to the soil of the traditional real sense of rejuvenation.