Ouyang Xiu Music Aesthetics of duality _1018

yxfbbiedtj · Wysłany: Wto 15:56, 29 Mar 2011

Ouyang Xiu Music Aesthetics of duality

Da Nang that the high sound, then the next its all. However, that has made musicians still high, says: minutes when Kevin Carpenter is the private bribery, so that by the sound of a little copper Qi and clear, acoustic songs are made of leaves, and according to race I do not know. Sound and music of this trial is difficult to know also. According to the so-called man-days each: Read soo, especially short, and often show the date: According to historical records, the Northern Song Dynasty on several occasions to change the music to pitch standard, attempts to reduce the pitch to maintain ancient music, reject the new sound. Bong Song in thinking this is the ancient Confucian emphasis on respect for Lee shines on Edwin years, he will cut the current high standards of the law of the three laws, to the ancient system of standards, and that this music is in line with people, things of common sense. Li Zhao's view is typical of the Northern Song Dynasty representatives of Restoration, in his eyes, music is just a means of enlightenment and the political and tools, not out of it as an independent political and religious significance beyond its own art form. Of course, the music also has its content, the content can indeed cover the enlightenment, political and other factors, Dan is here, according to Li, the only reason for lowering the standard temperament with the old system to the same, as everyone knows is back to the Secretary three generations to the state court music, then the contents of the package that emphasizes' the meaning,[link widoczny dla zalogowanych], and to undermine the significance, i finished it in the form of a dagger, is bound to give this art disastrous consequences, which is too often their songs work too dirty, not a sound of song. gone, they moved to the United States as lost time, perhaps to stay engraved in mind, and perhaps never return. However, at this time of Ouyang Xiu stick to formal beauty of his artistic perception, in positions, but never mind thinking of issuing a very inconsistent with the orthodox musical sighs. Lee Chiu for his music for the new shop pen, made two three lively jokes, sharp and profound Lee hinted his contempt and censure according to music. In my eyes, then dare to stand accused of Ouyang Xiu Li Zhao Yue, Song is the courage to stand up and accuse the mainstream of musical thought, and further said that he had thought from the traditional Confucian ritual music came out of detention, the other hand it traditional, bold refer to Chen that it disadvantages, as the essence of art defense. All buried in the pursuit of his life on the road of art. His later years, the nature of art have a more profound sort of understanding. This is some of his discourse, pondering the endless should also include: the form and content of the music to take care to separate the aesthetic tendencies. Although, in Ouyang Xiu times, people also can not be such a comprehensive aesthetic, not derived from the aesthetic theory of practice appear. However, the music as an objective art, from which it had just appeared in the form of its own form and content of the two dimensions, in the long artistic exploration, especially in China, the music does not seem to have an eternal change axiom Indirectly, as part of its formal beauty of the art of music right to exist, to be Ouyang Xiu's art came to realize that the crisis of his time, with a true conscience of the artist community, with the correct art of music perception ability of the humorous way he challenged those who ignored the phenomenon of music outside the United States, told the perceptual form of the world the importance of music. This undoubtedly can be called a unique musical ideas of that era. This is a true artist, a true humanistic intellectuals. Ou first in the Northern Song literati same period, there is the face of real art form, he was moved, and then sent to the traditional Confucian Health Reconsideration of view of music, music for the Song Aesthetics have entered the spirit of innovation. This is just a sea of corn, although the impact has not brought turning point, but for the profound aesthetics of Chinese music add his significant fortune. Editor: Li Shu References: 【1】 Yang Yinliu. History of Ancient Chinese Music 【M】. Beijing: People's Music Publishing Elsie February 1981 1st edition. [2】 Lu Hui-Juan Liu Bo Luda. Biography of China's ancient writers 【M】. Shandong: Shandong Education Press, May 1984 1st Edition 【3】 Ouyang Xiu. Li Yian point of school. The Complete Works of Ouyang Xiu 【M】. Beijing: Zhonghua Book Company, March 2001 104 version 1