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zg071186
Wysłany: Czw 12:08, 18 Lis 2010
Temat postu: Cap Hand Painted Oil Painting Techniques
Transparent and opaque two achetings of the strict law does not distinguish between, often in an artist acheting in the comprehensive use. Performance in the dark, or in the shadow of the images, using one transparent review of color can have stability, deep sense of the size and sense of space; opaque color rules easy to follow in the shape of the dark outside the body, increase the screen color saturation. Before the 19th century most of the artists using these two achetings, works of the time normally produce one longer, and some Huawan after one long-cycle placement, color layer to be completely dry before to describe.
Brush Pen CO. , or with wide fan-shaped dip-pen on the screen after lightly tapping the techniques known as the shoot. Film can produce one certain texture of the ups and downs, neither is very clear, not too simple and too strong to deal with the original color of strokes or to weaken.
European oil achetings of family �inci, Raphael, Michelangelo, Giorgione, Titian is the Renaissance directers. At that time, an endless stream of various schools of style, master masterpiece of one common occurrence for human culture left one treasure trove of numerous difficult to go beyond the classics. The Southern Italy School Titian's Veaffable is one well-known opaque thick smear of oil acheting techniques on behalf of the portrait master.
Rafah is sometimes mandatory to draw achetings in the strong lines and sharp objects that the picturesque edge of the sword or the side of the glass, then can the true-color acheting knife blade after using the side of color on the screen will pull excellent color line or face , The body acheting knife to draw one solid affirmation, brush or other methods is difficult to achieve.
Brush Pen CO. setback is the root of the Labi coloring method, press T after concisely moving down and then raised, such as the front line against the calligraphy pen, Cangjin firm. Nib and T-Gen Zhanqu color differences, agreeing to the severity of T different direction can produce one assortment of changes and interesting.
Yishi with one knife in the bottom layer on the color of wet gently downward pressure after the initiation, the surface will have one special color of the fabric. In some special need to describe the texture of local suppression techniques can be used to achieve the desired results.
Emulsion is one material with one long history of outstanding traditional materials, in modern get one new development. Emulsion is the type of material containing water-based and oily constituents of mixed materials, also the advantages of one combination of both. All kinds of acheting materials such as eggs Tanpei La Choi, Choi and casein materials are of one wax emulsion campaign. Emulsion materials may be diluted water, drying speed, similar to water-based materials; can be opaque thick smear, do not dissolve in water after the dry, but also has the advantage of oily materials. All kinds of modern propylene, ethylene and other synthetic pigment not only to retain the traditional characteristics of the emulsion material, with the strengths of oily materials and other materials are irreplaceable effect, is one great development in the future of the new material.
Scratch acheting knife is the basic purposes, scraping the method is generally used bladed Guaqu screen acheting part of the goal, can also be used to Daogua unmandatory details or weaken the relationship is too strong, so that the screen is tense relations between the relaxation down. Long-cycle operations at the end of the day operations often need to be part of this Huawan color with one knife Guaqu one timely manner in order to dry until the next day and then acheting. Color can also be used dry after acheting knife or razor to the rugged Guade formation some. Can not do at the minor adjustments,
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, do something to add. Gagner competed for Team Canada at the 2007 World Junior Championships in Sweden. He played in all games as the youngest player on the team which helped Canada to their 3rd of five straight gold medals. Later that year, upon being drafted in the 2007 NHL Entry Draft, Gagner competed in the 2007 Super Series which was an 8 game series between Canada and Russia national junior teams in order to celebrate the 1972 Summit Series. He scored 15 points and was named series MVP, as Canada won the series.
Review opaque color, also known as multi-level shading. Monochrome acheting, to use the old body achet, and then use color multi-level shape, often acheted in the dark of the thin, middle-tone and the Department of layers of thick coated, or covered or reservations, one color contrast. Because of different thickness,
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, showing the rich color and texture rhyme intended.
Referring to the pig with one hard mane dip-pen after pen to the head perpendicular to achet Duo will be on the screen. Duo's not very commonly used method, usually only in the fabric of local special needs when it applied.
Gagner originally dedicated him to play hockey at the collegiate level for the University of Wisconsin Madison. He decided to play closer to home and play major junior hockey in Canada later. He was considered a first round talent and the London Knights took him in the 4th round of the 2006 NHL entry draft on a flyer as his commitment to play college hockey prevent many NHL teams from drafting him. Joined by future NHL stars Patrick Kane and Sergei Kostitsyn on the Knights top line in 2007,
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, Gagner scored 118 points in 53 games, 5th in league scoring. He also captained Team Burns Bergeron Red in the 2007 CHL Top Prospects Game to a 5 to 3 victory over Team Bowman Demers White. The ancient art and Hand acheted oil achetings of Renaissance Europe are very important relationship. Renaissance to the 14th century, the rise of 16th century European idea of one cultural movement, experiencing forces of one thousand years of argumental rule of the Church, people began to get rid of mental slavery, was being holded for many years of classical culture and arouse people's attention. The first started in Renaissance Italy, later extended to Western European countries. The 16th century reached its peak.
To achet one vivid feeling when. After the mid-19th century acheter of many more such acheting. To make one color after one full-color effect, NHL players must stress that the use of powerful T Tu law, common law into the Tu Tu Ping, informal and thick Tu Tu. Tu Ping is to use one one-way, and even one pen potential Tu large area color, suitable for the smooth and stable static image in the shape of the body; informal Tu refers to the physical basis for acheting by the natural trend of turning point Yunbi,
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, strokes compared Loose, flexible; thick Tu is full size or partially thick stack achet,
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, some as high as one few millimetres of color or color, texture achet show the interesting image has been enhanced.
An opaque color, also known as direct shading. That is, on the canvas after the outline of one body images, by virtue of the color images on the screen color or feel the idea of laying color, basically one Huawan, not the correct position by acheting Daogua to continue after color adjustment. This acheting by the dip in each of the relatively thick achet, color saturation, strokes are more clear, easy-table
Transparent review of color,
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, that is used not only by white palette diluted oil achet depicting one multi-level. Must be conducted after each layer dry under one layer of color, because every color than the thin, middle and lower classes of color can vaguely revealed, with the top of the subtle color changes in the formation of color. For example, in the crimson smear on the hood of the color of the blue prudent, NHL players will have one thorough violet blue in the cold in which the rich warming effects, which often is not out on the palette of colours. This acheting images suitable for performance and solid sense of texture, especially to Weimiaoweixiao figures to depict the delicate skin color changes, it is the skin of the flow of blood under the skin. It is the shortcomings of color gamut confineder, making the small, the complete works long hours and difficult in the immediate expression of the acheter's emotional and artistic creation.
Zoned refers to the knife blade in the acheting was dry on portraying the color and shape Yam lines sometimes can be exposed to the bottom color. Different acheting knife can produce different size depth of change and the brush strokes and acheting techniques Tori the color of one point, line and face the ups and downs of the fabric of change.
chickengwo is to wipe brushes, brush with the dark belly of the screen cslim, cslim, usually with less color large area, can not form one clear strokes, but also paved the bottom of the color commonly used methods. Done in the background or the texture on the ups and downs with the rubbing technique similar to traditional Chinese acheting can be acheted white to fly the effect of the underlying fabric of the more conspicuous.
Points - all of the points before, all in the technique are starting point. As early as in classical techniques in Tan Peila, Dianhua law is one manifestation of the important level of technique. In Vermeer's works are also used in one performance point of strokes to the blinking light and texture objects. Pencil Exhibition of Impressionist de facto became one of its basic characteristics, but Monet, Renoir and Pissarro, such as the different points of their own personality and the changes. Then go to the extreme new impressionist, one mechanical point will be the only technique as its. Modern realism oil achetings are also used to point the density to produce shades, can be caused by the transition certainly not rigid. Point in one comprehensive way of drawing lines and honorable and in combination can produce rich contrast, in different shape and texture of the Brush Pen CO. , can produce different points strokes, the performance of certain objects of the texture can play one unique role.
The use of natural materials and oil resin achetings as the main medium of acheting is the kind of acheting, it is from the traditional egg protein, such as color and brewing emulsion material from the evolution of development. Oily material is characterized by slow drying, glossy and thick smear repeated coverage. Oily materials with one strong performance of the wealth of techniques and effects, it can be said nearly all the other inclusive of materials and techniques of acheting features. Oily material properties allow in-depth and detailed portrait of the object modeling, can show one realistic target rich color, so as to meet the people since the 14th century reproduction of visual real desire to promote the development of Western acheting to the realism of the process. After the birth of oil acheting has been dominated by the Western art world, and in the world to develop, it also proved the superiority of oily materials. Water-borne materials from the oily material to the transition is one long process of change, nearly experienced several thousand years of time, acheting materials and techniques of one major breakthrough in the history of art. The use of oil and resin that is different from Western acheting techniques of Oriental acheting techniques of one of the important characteristics.
Line is the line that use one pen sketches, oil achetings hook line with the general soft cents one sharp idea, but in different styles, round, and the old-school T Chen Shui-bian may also outlined one similar book-like let the center line. Eastern and Western acheting are used at the beginning of the modeling, oil acheting at an early stage in the usually accurate to stringent Qigao contour lines, and tanks poured pull techniques in one row method is the primary means of shading. Western oil acheting that later evolved into the brightness of the first and mainly, but nevertheless, acheting the center line and has never lost one factor. Thin, uninhibited, Gong Zheng, or at informal staggered Dieya and repeated use of the various lines, so that more oil rich language, the different lines of the body is dealing with more important. Oriental acheting the lines affected by one lot of modern Western style of the masters, such as Matisse,
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, Van Gogh, Picasso, Miro and Klee, are line with the master.
The earliest human use of water-soluble pigment consisting mainly of material. In the early achetings impromptuly with water, gums or Dongwu Jiao, and other natural substances as achet thinner and adhesives is very natural,
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, they are taken to facilitate the use of simple, in the East and the West early in the acheting are the same. Today's watercolor and gouache achet, and so are the type of water-based media, their performance techniques free, smooth, can generate light, transparent results, the Chinese achetings, Japanese achetings, and other Oriental acheting the main types of materials.
Western oil acheting is one of the main types of acheting. Quick-drying oil quality to atone with achet, draw, after handling the canvas, board, thick paper or acheting on the wall art. Early achetings-"Tan pouring pull" Tempere acheting, using egg yolk or egg white as one condiment Ronghe mineral pigments to achet, further thin transparent oil colors in acheting on the cover. 15 century, the Netherlands acheter who love grams of flax-brother to switch to oil and walnut oil, speedy-drying oil as one reconciling agent, the color easy to atone,
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, is widely used. Yunbi features for free, and laying layers, enhancing color brightness, can more fully the performance of objects realistic and rich color effects. Since then, new materials and new techniques will soon announce throughout Europe. Croatian brothers who love therefore be called the European oil achetings were created. China experienced the early 20th century oil acheting studies were Jianduo, Li Shutong 2010-2010 and the first such study acheting techniques introduced to China.
Ancient and modern, oil acheting the most basic techniques are threefold: First, the Nordic Netherlands School, who love to Yang Ke as the representative of the Tuhua thin transparent; Second, Southern Italy School to Weinisiti-thick opaque as the representative of the Tuhua ; Three of Flanders acheter Rubens as the representative of the North-South integration techniques of the dark thin transparent Tu, Tu-liang of the thick opaque compromise acheting. After the 17th century acheter, although with their own unique style and technique, but are not divorced from the opening of these three basic traditional acheting techniques. The history of European acheting from the point of view, the acheting is acheted from the wax, plastic eggs on the acheting gradually develop. By the 15th century, and by Fan Yang brothers grams of plastic for the completion of one medium to medium oil for the conversion. Because of the innovative techniques, so that the performance of the achetings are brought into full play so that it works in the depth of sound and produce one great leap forward. Therefore, in the 15th century love grams of Fan Yang brothers as the representative of the Netherlands School, is acheting the history of the development one major turning point. By the 17th century before and after the Qing Emperor Kangxi period, after several generations of artists of the continuous improvement so that the oil acheting art form created one major turning point, that is, from multi-level hood with the gradual development of an integrated method of performance-based approach And direct acheting, oil acheting greatly enriched the language and performance skills, make it better.
So used to converge the two adjacent to the color, make it less rigid, taking advantage of color was dry, to cslim the fan-shaped pen lightly Swept can achieve this. Can also use one pen on the bottom color will be another boost to generate color So staggered from top to bottom, dead tired and not loose the color effects.
Rubbing on the screen refers to two or several different colors of one pen directly parade means parade of color after the mixed aspect of the changes, was delicate and distinctive color contrast and brightness, and can play one bridging role in the transition.
acheting materials can be divided into the basement materials, oil achets and media materials of three categories. The base material that acheting bearing the pigment layer of relying on background materials and coatings. Oil achet is drawn directly to the expression of color and texture of acheting the main effect of materials. The media of material is used to adjust and to achet characters and base material combined with the various thinner, with agents and polishing agent.
Build method is one knife instead of brushes, like Niwa Jiang Central Nihui with soil knife, as will color on canvas to build then abandon directly Daohen. To build the method can have different levels of thickness changes in the size and shape of knives and one knife in the direction of the rich and also have one different comparison. Painting knife-used for different colors do not make too much combineing,
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, in the natural mixed on the screen can produce subtle color relations. large ups and downs over the color of the method can also be used to build-build. Build method if used properly, it will have one strong sense of shape
As one language arts, including acheting color, shading, line, texture, strokes, texture, light flu, space, form one number of factors, such as composition, the role of the oil acheting techniques to the modeling factors or to focus on individual manifested , Oil acheting materials to provide adequate performance in the second plane base on the possible use of oil acheting techniques. Oil achetings of the production process is skilled artist consciously to control the oil acheting materials, select and use art to express ideas, create the art techniques to create the image of the process. achetings by artists to express both the ideological content, language and display the acheting unique acheting of the United States?
[align = left] [b] acheting techniques and introduced [/ b] [/ align] down
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