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sts'areawarethat
amongtheseliesuchthingsas'their
ownhopethatsufferingwillbe
diminished'.
286
287
NAMESANDTERMS
[IJ/
JAMESONFREDRIC:CULTURALCRITIC
(1934-)FredricJamesonisthe
bestknownandmostinfluential
Marxistliteraryandculturalcritic
writinginEnglish.Assuchhehas
offeredoneofthemostcompelling
historicalanalysesofthegeneral
climateofpostmodernismas'the
logicoflatecapitalism'.
JamesonwasastudentofErich
Auerbachandanearlyandenduring
influenceonhisworkhasbeenthe
exampleofGeorgLukacs.Duringthe
1920sandafterhisturntoMarxism
Lukacsplayedacrucialroleinthe
reappropriationofHegelianphilo-
sophyandtheinaugurationofa
traditionof'critical'Marxism.
ThemostinfluentialpartofJame-
son'sownearlyworkconcentrated
onserioustheoreticaltreatmentof
figuresfromthistraditionofHegel-
ianor'critical'Marxism.
Sartre;The
OriginsofaStyle(1961)already
focusesononeofJameson'scentral
themes:thequestionofnarrative.His
bookMarxismandForm(1971)intro-
ducedanewgenerationtotheworkof
LukacsBlochBenjaminAdorno
MarcuseandSartre.
Jameson'sappropriationofacriti-
cal(Hegelian)traditioninMarxism
hasbeencomplementedbya
sustainedengagementwithFrench
andothercontinentalthinking.In
ThePrison-houseofLanguage(1972)
Jamesonsumma yilai:
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