On the mental ability in the performing arts in mu

yxfbbiedtj · Wysłany: Wto 15:57, 29 Mar 2011

On the mental capacity of the effectiveness of music performance art

Depth study of music and a profound understanding of the basis of in-depth study of music and understand. Composers and musical works include all relevant aspects. For example, the composer's life experience, personal character, the background of life, the creation of music style background music, creative intent and the text and so on. Even when we have beginner piano. Playing a whole note. Teachers will be to increase our interest in learning. Tell you to imagine it as a long train woo ... ... imagination is the sound of music and emotion to produce acceptable performance of an important medium. Imagination in Music Performance. Is not only a specific image of the association, the main thing is to achieve through this thought on the emotions and mood music more profound, more vivid understanding and experience. It is the experience with feelings and emotions closely together. Must associate the image of sublimation of specific musical works to the emotions and mood of the experience and comprehension. The only way to put music and other intellectual and emotional imagination organically combined psychological factors. Make music to a higher level. In music activities. In many cases by means of imagination. That makes the music more full feeling richer. It is also the help of creative imagination to show appreciation of music through activities in the spot who have had personal experience of psychological musical performers. Can experience an instant grasp of performing a direct impact to the performance level of play good or bad. Performances during the show because of a one-time expression can not be repeated, adjusting the performance of the psychological impact on performance is the key to the success of the issue. As the saying goes three minutes on stage, the audience work for three years. hard. So during the show. must adjust the psychological spot. give full play to their talents, will make their performance a success. First, we must concentrate. in music performances. To all the spirit of the highly concentrated in the performance . forget all the chores. aside all other thoughts. threw himself into it. to own, the music becomes a part of their own, fully committed to the music performances. think of melody, rhythm ... ... especially the music emotion. to be highly concentrated. without a trace of vanity and enter into its mood, is not very pretentious. It naturally flows out. the music's form and content through their mastery of skills and understanding of the emotional integration. to convey to the viewer . This is the most real, most touching second, to overcome Stage Fright. In music, the spot of the stage fright is a more common phenomenon, tension will directly affect the performance of the play level. a serious attitude and the will to avoid The best way to stage fright. a serious attitude toward performance is to have faith in correct performance. to do all the preparation for all performances. first of all to familiar. If proficiency to practice track and back spectrum proficiency, etc.: followed by the will. in music Sometimes during the show there will be gaps in the brain memory of the phenomenon of the moment. This required the firm will,[link widoczny dla zalogowanych], from memory stick. because the will of the people can regulate and control the action in mind. on the stage. performers for some small mistake should be ignore their own self-will quickly adjust to the mentality of the show in the end. the world famous Placido Domingo (PlacidoDa-nirt3o) have been recalled: the moment in my mind the feeling of a vacuum, then it can only think of the lyrics and singing performances to be something. One way to overcome stage fright, or have a nervous performance practice often, the stage of experience now, used to stage the environment, will also eliminate some performance anxiety. Pi Notes: ① If Slobodan Minkowski wave of ⑤ Yuehuofuman page book, 1998, No. 2 ⑤ 01 ilk forget red)