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ahwell that’s what happened before I got a
chance to see itit disappeared.”
“It didn’t open big so the studio walked away. I was
against doing a sequel to begin with. But the guy run-
ning production at Tower says they’re making the pic-
turewith me or without me. I thoughtwellif I can
come up with a good story . . .”
184
Stephen King
Two guys at lunch in Beverly Hillsand right away we
know they’re both players. They may be phonies (and maybe
they’re not)but they’re an instant buy within the context of
Leonard’s story; in factwe welcome them with open arms.
Their talk is so real that part of what we feel is the guilty
pleasure of anyone ?rst tuning in and then eavesdropping on
an interesting conversation. We’re getting a sense of charac-
teras wellalthough only in faint strokes. This is early on in
the novel (page twoactually)and Leonard is an old pro. He
knows he doesn’t have to do it all at once. Stilldon’t we
learn something about Tommy’s character when he assures
Chili that Get Leois not only terri?cbut also good?
We could ask ourselves if such dialogue is true to life or
only to a certain ideaof lifea certain stereotyped image of
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